PORTFOLIO: Way(s) We Remember: Mexican Kinships, Intersubjective Storytelling, and Thinking and Feeling Through Comics

José Sherwood González

Abstract


n/a

Full Text:

PDF

References


Alivizatou, Marilena. 2007. “The UNESCO Programme for the Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity: A Critical Examination.” Journal of Museum Ethnography no. 19: 34–42.

Anderson, Kay. 2014. “Mind over Matter? On Decentring the Human in Human Geography.” Cultural Geographies 21, no. 1 (January): 3–18.

Anderst, Leah. 2013. “Memory’s Chorus: Stories We Tell and Sarah Polley’s Theory of Autobiography.” Senses of Cinema no. 69 (December). https://www.sensesofcinema.com/2013/feature-articles/memorys-chorus-stories-we-tell-and-sarah-polleys-theory-of-autobiography/.

Auge, Marc. 1999. The War of Dreams: Studies in Ethno Fiction. Pluto Press.

Baquedano, Elizabeth. 2014. Tezcatlipoca: Trickster and Supreme Deity. Colorado: University Press of Colorado.

Bechdel, Alison. 2007. Fun Home: A Family Tragicomic. Houghton Mifflin Harcourt.

Bonanno, Letizia. 2019. “Drawing as a Mode of Translation.” American Anthropologist.

https://www.americananthropologist.org/ethnographic-storytelling/bonanno-drawing-as-a-mode-of-translation.

Bonfil Batalla, Guillermo. 2012. México Profundo: Reclaiming a Civilisation. Translated by Philip A. Dennis. 9th ed. Austin: University of Texas Press.

Caballero, Paula López, and Ariadna Acevedo-Rodrigo. 2018. Beyond Alterity: Destabilizing the Indigenous Other in Mexico. University of Arizona Press.

Clifford, James, and George E. Marcus. 1986. Writing Culture: The Poetics and Politics of Ethnography : A School of American Research Advanced Seminar. Berkeley: University of California Press.

Czerwiec, M. K., Ian Williams, Susan Merrill Squier, Michael J. Green, Kimberly R. Myers, and Scott T. Smith. 2020. Graphic Medicine Manifesto. Penn State Press.

Dix, Benjamin, Raminder Kaur, and With Illustrations by Pollock. 2019. “Drawing‐Writing Culture: The Truth‐Fiction Spectrum of an Ethno‐Graphic Novel on the Sri Lankan Civil War and Migration.” Visual Anthropology Review: Journal of the Society for Visual Anthropology 35, no. 1 (March): 76–111.

Durand, Jorge, and Douglas S. Massey. 1995. Miracles on the Border: Retablos of Mexican Migrants to the United States. Tucson: University of Arizona Press.

Edwards, Elizabeth. 2005. “Photographs and the Sound of History.” Visual Anthropology Review: Journal of the Society for Visual Anthropology 21, no. 1-2 (April): 27–46.

Eisner, Will. 1985. “Comics and Sequential Art: Principles and Practice of the World’s Most Popular Art Form.” Cincinnati, OH: North Light Books.

Fabian, Johannes. 2014. “Ethnography and Intersubjectivity: Loose Ends.” HAU: Journal of Ethnographic Theory 4, no. 1 (June): 199–209.

Flusser, Vilem. 1990. “On Memory (electronic or Otherwise).” Leonardo 23, no. 4: 397.

Gallo, Rubén. 2005. Mexican Modernity: The Avant-Garde and the Technological Revolution. Cambridge, MA & London: MIT Press.

Gavoldón, Roberto. 1960. Macario. Film. Mexico: Estudios Churubusco Azteca.

Giffords, Gloria Kay. 1974. Mexican Folk Retablos, Masterpieces on Tin. Tucson: University of Arizona Press.

Gutmann, Matthew C. 2007. Being a Man in Mexico City, Tenth Anniversary Edition, With a New Preface. 2nd ed. University of California Press.

Haapio-Kirk, Laura. 2022. “Special Theme Ethno-Graphic Collaborations: Crossing Borders with Multimodal Illustration.” Trajectoria 3. https://doi.org/10.51002/trajectoria_022_01.

Haraway, Donna J. 2016. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press.

Ingold, Tim. 2013. Making: Anthropology, Archaeology, Art and Architecture. London, England: Routledge.

Ingold, Tim. 2011. Redrawing Anthropology: Materials, Movements, Lines. Ashgate Publishing, Ltd.

Ingram, Simon. 2019. “La Catrina: The Dark History of Day of the Dead’s Immortal Icon.” National Geographic, October 18, 2019. https://www.nationalgeographic.co.uk/history-and-civilisation/2019/10/la-catrina-dark-history-day-deads-immortal-icon.

Jackson, Michael. 1989. Paths Toward a Clearing: Radical Empiricism and Ethnographic Inquiry. Indiana University Press.

Keating, Analouise, and Kimberly Merenda. 2013. “Decentring the Human? Towards a Post-Anthropocentric Standpoint Theory.” Praktyka Teoretyczna 10, no. 4: 65–88.

Kohn, Eduardo. 2014. “What an Ontological Anthropology Might Mean.” Cultural Anthropology. https://culanth.org/fieldsights/what-an-ontological-anthropology-might-mean.

Krug, Nora. 2018. Heimat: A German Family Album. Penguin UK.

Leach, Edmund R. 1984. “Glimpses of the Unmentionable in the History of British Social Anthropology.” Annual Review of Anthropology 13, no. 1 (October): 1–24.

MacDougall, David. 2005. The Corporeal Image: Film, Ethnography, and the Senses. Princeton, NJ: Princeton University Press.

Mantel, Hilary. 2017. “Hilary Mantel: Why I Became a Historical Novelist.” The Guardian. June 3, 2017. http://www.theguardian.com/books/2017/jun/03/hilary-mantel-why-i-became-a-historical-novelist.

McCloud, Scott. 1993. Understanding Comics: The Invisible Art. New York: Harper Perennial.

McQueen, Steve, John Ridley, Brad Pitt, Dede Gardner, Jeremy Kleiner, William Pohlad, Arnon Milchan, Anthony Katagas, and Solomon Northup. 2013. 12 Years a Slave. Entertainment One.

http://www.materialserver.filmwerk.de/arbeitshilfen/12_years_a_slave_Film_Tipp.pdf.

Mirzoeff, Nicholas. 2006. “On Visuality.” Journal of Visual Culture 5, no. 1 (April): 53–79.

Molina, Adrian, and Lee Unkrich. 2017. Coco. United States: Pixar Animation Studios.

Nora, Pierre. 1989. “Between Memory and History: Les Lieux de Memoire.” Representations 26, no. 1 (April): 7–24.

O’brien, Elaine. 2013. “Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.” In The Cosmic Race: José Vasconcelos’, edited by Melissa Chiu, Mary K. Coffey, Benjamin Genocchio, Everlyn Nicodemus, Elaine O’Brien, and Roberto Tejada. Hoboken: Wiley-Blackwell.

Okely, Judith, and Helen Callaway. 1992. Anthropology and Autobiography Participatory Experience and Embodied Knowledge. Routledge.

Olivier, Guilhem. 2015. Tezcatlipoca: Burlas Y Metamorfosis de Un Dios Azteca. Mexico City. Mexico City: Fondo de Cultura Económica.

Patel, Ian. 2021. We’re Here Because You Were There: Immigration and the End of Empire. Verso Books.

Polley, Sarah. 2012. Stories We Tell. Canada: National Film Board of Canada; Mongrel Media.

Rapport, Nigel, and Joanna Overing. 2000. Social and Cultural Anthropology: The Key Concepts. Psychology Press.

Ravetz, Amanda, and Helena Gregory. 2018. “Black Gold: Trustworthiness in Artistic Research (seen from the Sidelines of Arts and Health).” Interdisciplinary Science Reviews: ISR 43, no. 3-4 (October): 348–71.

Reese, Leslie. 2012. “Storytelling in Mexican Homes: Connections Between Oral and Literacy Practices.” Bilingual Research Journal 35, no. 3 (December): 277–93.

Rumsby, Charlie. 2020. “Retrospective (re)presentation: Turning the Written Ethnographic Text into an ‘ethno-Graphic.’” Entanglements 3, no. 2 (December): 7–27.

Sand, Alexa. 2012. “Visuality.” Studies in Iconography 33, no. Special Issue Medieval Art History Today—Critical Term: 89–95.

Satrapi, Marjane. 2003. Persepolis: The Story of a Childhood. Pantheon Books.

Sherwood Gonzalez, José. 2019a. “Breaking Tezcatlipoca.” Granada Centre for Visual Anthropology. https://granadacentre.co.uk/project/breaking-tezcatlipoca/.

---. 2019b. “Vernacular Excavations.” José Sherwood Gonzalez. https://josesherwood.com/vernacular-excavations/.

Sherwood González, José. 2022. “Otherwise Comics.” Cultural Anthropology: Journal of the Society for Cultural Anthropology Theorizing the Contemporary, no. Fieldsights (July). https://culanth.org/fieldsights/otherwise-comics.

Sherwood Gonzalez, José. 2022. “Story of Mirrors: Together They Cross the Border.” Trajectoria 3. https://doi.org/10.51002/trajectoria_022_04.

Sjöberg, Johannes. 2008. “Ethnofiction: Drama as a Creative Research Practice in Ethnographic Film.” Journal of Media Practice 9, no. 3 (January): 229–42.

Sousanis, Nick. 2012. “The Shape of Our Thoughts: A Meditation on & in Comics.” Visual Arts Research 38, no. 1: 1–10.

Theodossopoulos, Dimitrios. 2022. “Graphic Ethnography on the Rise.” Society for Cultural Anthropology. #creator. https://culanth.org/fieldsights/series/graphic-ethnography-on-the-rise?x-craft-preview=C62hDQD7hD&token=aql7MNIlS5dzI4wpndC5ysDhvEZiMZRq.

Westheim, Paul. 1983. La Calavera. Translated by Mariana Frenk. Mexico City: Fondo de Cultura Económica; Cultura SEP.




DOI: https://doi.org/10.5195/aa.2022.386

Refbacks

  • There are currently no refbacks.




Copyright (c) 2022 Jose Sherwood

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

SaveSaveSaveSave